Atlas anamorphic on movi pro7/4/2023 Choose the products you are interested in and request a quote online, or call us direct for more information. We work with the biggest names in show biz, and those on their way to be. Teradek Bolt XT 3000, DJI Ronin 2, Freefly Movi Pro, Movi Controller. MPS carries the latest in professional cinema equipment, and has a staff of experts that can support your project like no one else. Type SK, Atlas Orion Anamorphic, Cinescope TLS Leica R, Kowa Anamorphic. We rent the cameras, lighting, grip, electric, and studios to companies who create content – movies, documentaries, social media content, corporate communications, music videos. ![]() MPS Studios is the premier location for camera lens rentals in Texas, with convenient locations in Dallas and Austin. So explore our collection and discover the perfect lens for your next project. From wide-angle lenses that capture sweeping landscapes to telephoto lenses that bring your subject up close and personal, we have a wide range of options to suit your creative vision. Whether you’re shooting a Hollywood blockbuster, a memorable commercial, or an intimate indie film, our lenses are designed to help you create a cinematic look and feel that will transport your audience to another world. Our lenses have been carefully selected for their ability to capture stunning images with exceptional clarity, depth, and dynamic range. ![]() The obvious chromatic imperfections and aberrations in the shot are a nice touch that Atlas users have come to know and love from the company.Welcome to our collection of cinematic camera lens rentals! If you’re a filmmaker or photographer looking to take your visual storytelling to the next level, then you’re in the right place. I can’t wait to see what some of our industry’s finest do with this new lens. Their newest gear includes Orion Anamorphic lenses, the Movi Pro. It’s honestly kind of surreal to look at some of the shots. Its not unusual for 4-perf 35mm anamorphic features to have efx elements shot in VistaVision (8-perf 35mm) or 5-perf 65mm, which are spherical formats, for many reasons - one is that its better and easier to shoot miniatures with spherical lenses. Our Atlas Orion Anamorphic A set offer impressive close focus, open to an impressive T2. Note how close it comes to being fisheye without actually being fisheye. Here’s another stellar demo reel for the lens. As far as the field of view goes, Atlas claims you get a 124-degree field of view with the 21mm lens. This new lens covers traditional anamorphic 4:3 film and digital sensor formats up to 24.89mm x 18.66mm, and full-frame formats edge-to-edge with the Atlas 1.6x LF Extender. Used it on my BMP 6k + Atlas Orion lenses perfectly, no issues at all. ago Ive personally used the wooden camera mount and can vouch for it. ![]() The Orion 21mm represents a previously unattainable wide-angle anamorphic field of view using a front anamorphic system, with a pleasing level of distortion, in a lightweight and compact form factor that will not encumber cinematographers and operators. Only con with using ef is that you’re still on a weaker mount, so you’ll need proper lens support for most anamorphics CrypTomato 1 mo. ![]() The Atlas 21mm offers the widest horizontal field of view of any Cinemascope format 35mm motion picture camera lens, and is optimized for use on both film and digital sensors. Introducing the all new Atlas Mercury Series 1.5x Full-Frame Anamorphic Lenses Mercury Series feature full-frame coverage, a 1. Here’s more information about the lens, straight from the Atlas press release: has recently launched a new limited Silver Edition line of 2X anamorphic lenses that can only be purchased in the complete set of six focal lengths for 89.000 (not including shipping and handling). Mercury Series feature full-frame coverage, a 1.5x squeeze ratio with enhanced bokeh, a dynamic geometric optical personality and warm vintage tones - all at half the size and weight of. But getting back to this new 21mm lens, one of the key details about this specific lens is the lack of distortion you’d usually get with a focal length this wide. Introducing the Atlas Mercury Series 1.5x Full-Frame Anamorphic Lenses More personality and zero compromises - Mercury goes wherever your stories take you. So, it’s safe to assume you’ll be seeing more big features shot with this series of lenses from some of the most talented cinematographers today. A significant milestone for the company was that last year’s Best Picture nominee, Don’t Look Up, was shot on Atlas Lenses, specifically the Orion anamorphic series by Linus Sandgren, no less.
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